“A Composer Looks at Music, Ethics, and Aesthetics: An Interview with Edward Green”—published in ICONI
“…As Aesthetic Realism sees it, it’s the permanent aesthetics of the world — its structure of opposites — which music aims to express and embody. It’s true whatever the style of the music is. The title of an important essay Eli Siegel wrote on the subject is “Music Tells What the World Is Like….” read more
Edward Green’s Concerto in C and the Poetry of Eli Siegel.
by Paul Neebe and Brandon Walsh.
Journal of the International Trumpet Guild, June 2012
“Choral Works by Edward Green”
— by Dennis Tucker (The American Organist)
“As these works soar and are yet precise, as they are gentle and at the same time strong, as they assert and then yield in controlled decrescendos, we feel more at one with the world itself, which contains the grandest examples of opposites, such as in its mighty oceans and gentle morning breezes…” read more
“Edward Green’s Symphony for Guitars and Flutes”
— by Brent Simpson (Classical Guitar)
“How symphonic can a guitar ensemble sound? Edward Green, an American composer who is on the faculty of the Manhattan School of Music, asked that question, and the result was his Chamber Symphony for an ensemble of eight guitars, flute, and two alto flutes…” read more